Projection Designers // Theatre

Perth 1 – 18 Oct 2014 , Brisbane 17 Nov – 7 Dec 2014

A Queensland Theatre Company and Black Swan State Theatre Company co-production

Imagine a world in which the air we breathe is just another commodity like food and fuel. Something that can be bought and sold according to market forces.

How much do you think you’d have to breathe? This was the darkly comic premise on which Ben Elton based his first play, the hilarious and critically acclaimed satirical comedy Gasping. First performed in London in 1990, starring Hugh Laurie; it has been revisited by Elton and reimagined for a new century and a new country.

This major rewrite Gasp! relocates the story to an Australia grown giddy on the resources boom. Corporate powerhouse Lockheart Industries is already making a mint, but too much money is never enough. Their genius plan to privatise the air we breathe, with the ‘Suck and Blow’ filtering machine is an instant hit and sales soar. But it splits the planet into the haves and the have-nots – and if you can’t pay, you don’t breathe.

Infused with the sarcastic, sharp wit that made Elton a household name (The Young Ones, Blackadder), the play is a breathtaking, biting, brilliantly funny satire on the heartlessness of big business and the ruthlessness of the advertising industry. And it’s as relevant and hil‘air’ious as ever. Continuing Queensland Theatre Company’s fertile collaboration with Western Australia’s Black Swan State Theatre Company, Gasp! draws cast members from Brisbane and Perth.

Production Photography by Gary Marsh Photography


Writer // Ben Elton
Director // Wesley Enoch
Designer // Christina Smith
Lighting Designer // Trent Suidgeest
Projection Designers // optikal bloc
Sound Designer // Tony Brumpton
Design Associate // Penelope Challen
Directorial Associate // Daniel Evans

Cast Includes // Caroline Brazier, Lucy Goleby, Damon Lockwood, Greg McNeill and Steven Rooke.


“The set is a large modern office, with high ceiling and shiny floor, painted to match the very pale grey walls. The rear of the room has a massive window overlooking the city. This window with ingenious projection (projection AV designers, optikal bloc) turns into numerous styles and venues, including wallpaper, curtains, plants, and security blinds.” – Independent Theatre Association (2014)

“There is also a large screen on the back wall where images and charts are projected to give this a real visual flair.” – Perth Theatre Reviews (2014)

“It looked clean and corporate with straight walls, furniture that moved on rails for easy scene changes and a huge screen at the back, where the go-to projection wizards Optikal Bloc created scene magic once again. Add to this Trent Buidgeest’s lighting and the whole two hours was a visual treat” – Absolute Theatre (2014)