"Credits must be given to stunningly morphing set design by James Browne alongside the video and lighting by Craig Wilkinson and Declan O’Neill respectively"
THE AGE

"Under Alister Smith’s direction, the plot is made efficiently accessible. This is aided by Craig Wilkinson’s striking video design which serves to emphasise the main take-aways from character interactions and allows for a final focus on the damming text of Valmont’s journal"
BLUE CURTAINS BRISBANE

"the video design by Craig Wilkinson was excellent. It added a depth to the numbers in the show... with the combination of the projection and lighting designs, it gave each number a ‘90s music video’ vibe."
GLAM ADELAIDE

"Clever use of video projections (design Craig Wilkinson) and an inventive set (design James Browne) lift the production"
CANBERRA TIMES

"Handwritten words from Sebastian’s telltale journal appear across the stage, along with lyrics from the songs, like a mashup of a tribute to Mean Girls' Burn Book and karaoke prompts. Craig Wilkinson’s video design pushes the kitsch aesthetic even further"
TIMEOUT

"Craig Wilkinson’s Video Design is a triumph and James Brown’s Set Design complements it…or rather, they complement each other. This isn’t a huge show with massive special effects, but these two giants have made it seem that way and there were constant murmurs of delight from the audience."
STAGE WHIPSERS

"Huge, moveable set pieces (and a very versatile couch) designed by James Browne and projections designed by Craig Wilkinson worked in conjunction with lighting design by Declan O’Neill to effectively set and change the scene, as well as adding to the emotion and action unfolding onstage."
BACKSTREET BRISBANE

"The simple set design is greatly enhanced by the effusive, ever changing video offering (a steady stream of words and images), projected upon it, along with mood lighting."
THE BLURB