Video designer Craig Wilkinson has recreated the city of Brisbane with towering images of its landmarks – Boggo Road Gaol, Story Bridge, the City Hall clock tower – projected onto the three walls of the set. The use of video allows the set to dissolve reality into fantasy and back again at rapid speed. In one moment the set is a Vietnamese restaurant in Darra; in the next, excerpts of handwritten letters are unfolding on the walls: “I will remember this moment … I will remember the end, through the beginning”

THE GUARDIAN

“Incredible projection mapping from video designer, Craig Wilkinson, and associate motion designer, Jordan Peña… an entire universe was created in the mostly blank canvas of the Playhouse set. I’ve seen only one other show with projection mapping of this scale, which was Frozen (The Musical) and I would argue that this was just as good quality and just as immersive.”

THEATRE TRAVELS

The first rule of storytelling is to show rather than tell, and this is what lies at the heart of the show’s success as it moves the audience quickly through the many early fast-moving scenes of its gritty coming of age story. Swift scene changes go virtually unnoticed within Renee Mulder’s dynamic set design…. and Craig Wilkinson’s video design widens us to be, for example, under a starry sky as moving images bleed across the blank canvas of a stage to create suburban balconies and alike to give things a 3D effect”

BLUE CURTAINS BRISBANE

“Ben Hughes, as lighting designer, ensured the scene work was complemented by the projections; the collaboration between these two departments paid off in vibrant and carefully paced design”

THEATRE HAUS